So here I am friendly friends, back and better than ever with
my belly of meat and potatoes and ready to vomit my thoughts on Frank Miller’s
newest creation all over the screens of your PCs, laptops and cellular
telephones. Of course I could only be talking about none other than the
slightly clumsily named DKIII The Master
Race Book One, the first issue in an 8-issue miniseries (though I think
there’s some spin off stuff that’s coming out too but I’m not sure). For
those not keeping track this is the third part in what began in Frank Miller’s
groundbreaking 1986 4-issue miniseries The
Dark Knight Returns and continuing in Miller’s controversial and not very
fondly remembered 2001 3-issue miniseries The
Dark Knight Strikes Again.
Quick upfront confession: I have always felt The Dark Knight Returns to be highly overrated as a BATMAN story. I’ve been savagely raped and sodomized in the past for voicing this opinion in comic shops so let me be clear: as a comics story it is deservedly looked at as a milestone and is every bit as vital and necessary as ever. I can remember reading those issues (and issues of Alan Moore’s and Dave Gibbons’ incredible Watchmen) on the subway during that summer of 86’, sitting there in slack jawed awe and knowing the industry would never be the same. But as a Batman story, as a DC universe story, it leaves me rather cold and the thuggish Dark Knight and milquetoast Superman which are featured are not the most compelling visions of these heroes for me. In an effort to invalidate my opinion even further I will say that I prefer by a large margin The Dark Knight Strikes Again for all its bombastic energy and sheer bizarre antics. It’s a brave book and I have similarly great memories of defending its bold gargantuan vision to irate fans (I also prefer Miller and Jim Lee’s All Star Batman & Robin though I’m not quite as quick to defend it).
I’ve provided this preponderance of exposition
to make the largely unimportant point that I may not fall into the target
audience for this project. Actually, I’m a Batman junkie and buy pretty
much everything in which he appears so I’m exactly the target audience but what
I mean to say is that I was not hotly anticipating this release. I think
the saturation of unimpressive “events” in superhero comics initially quashed
my enthusiasm. However slowly but surely the prerelease hype began to
seep into the moist crevices of my brain and infect it with insatiable
curiosity. I’m far from the only one as issue #1 is looking to be DC’s
bestselling comic book in a decade (more on that in a bit). So this past
Wed I hitchhiked on down to Ye Olde Comics Shoppe and purchased on a copy with American
legal tender and upon returning to my posh flat I poured myself a glass of Macallan
12 on the rocks, kicked back on my bourgeois sofa and let Miller’s latest romp
wash over me like a refreshing deluge.
5 thrilling minutes later I was done!
No, I kid haha. But I’m going to say it right now: this
issue was pretty low on content and by that I mean pretty low on story.
Basically Batman has returned again (or has he?!), beats some people up, Wonder
Woman is reintroduced and we learn she’s had another child and Lara visits the
fortress of solitude to find that Superman is literally frozen (seemingly self-induced)
though we don’t learn why and the people who live in the bottle city of Kandor
need help with something.
That’s it. At this point there is no actual story, just
a couple barely teased threads that could turn into a story. I should say
right now that Miller’s actual involvement here seems akin to George Lucas in
the new Star Wars movie: ideas man, plotter, final say guy but the one really
writing this is Brian Azzarello of 100
Bullets fame among many other notable works. Because of this I’m not
sure who to hold more accountable for such a thin narrative but I can say that
Azzarello’s other superhero work that I’ve read such as Superman: For Tomorrow, the Joker
graphic novel and that Lex Luthor miniseries suffered from a similar vacuous
streak where I frequently felt the need to question when any of this plot was
going to amount to something. Worse, Azzarello has a tendency to indulge
word play and needlessly convoluted narrative tricks. It popped up here
with Kira’s dialogue about whether she’s part of the part or part of the whole
and it immediately set my head on fire. That may sound like a nitpick but
over the course of 8 issues he could really run rampant with it. At the
same time the aforementioned All Star
Batman & Robin is not exactly well revered for showcasing great writing
on the part of Miller so really either or both of these men could be to blame. I’m
happier than a rat bastard that they’re including things from DKSA again rather
than ignoring it but this comic positively reeks of weak-event-first-issueitis.
In this modern day and age one can say maybe they’re writing
for the trade paperback and it will read better once complete but a great story
can be written that satisfies both in installments and in a trade format as
Scott Snyder’s New 52 Batman run has
continually proven. Even closer to home, just dig out the back issues or
the trade and re-read that first issue of The
Dark Knight Returns. It is incredible how much story Miller fit into
that without anything feeling rushed or crammed and while somehow subtly
setting up a dozen others things which would have huge payoffs. There is
no excuse or need to kick off a story in such a thin way.
A quick positive about the story: I won’t spoil the ending
but it is a neat little twist and were I not already committed to the long haul
out a sense of righteous duty I can say it would be enough to get me to come
back for the second issue to see how that turns out.
I have far fewer complaints on the penciling side of things! I’ve always been a fan of Andy Kubert and he does not disappoint. Kubert’s dynamic larger than life figures remain intact and the way he is clearly paying homage to Miller’s style with some of the layout and blocking of certain scenes is brilliant and Klaus Janson’s inks compliment this as well as they did on Miller’s own work (Janson is a super pro inker). I loved the slight redesign of Wonder Woman from DKSA and am pleased as punch to find she looks the same here and it was exciting to see Kubert draw Superman again – albeit briefly and in the form of popsicle – as his Superman is one of my all-time faves! Sadly, I found Brad Anderson’s coloring to be a bit drab and uninspired, especially following Lynn Varley who provided such rich ambience on the original and psychotic Dario Argento-esque Technicolor madness on the sequel. Anderson appears to be trying to ape the former work which is understandable but the results often feel like a pale imitation
Something swell about this miniseries is that each issue is going to feature a backup story about an ancillary character in this universe which ties into the main plot. These are co-written by Mr. Miller and Mr. Azzarello and drawn by Mlller (still featuring inks by the indelible Janson). I was not prepared for how cute the formatting would be though as they come in the form of a mini comic inserted in the center of the main issue. It was so cute it immediately made me want to blow my brains out with a shotgun. I will say I enjoyed this backup more than the main issue and it told the same amount of story (actually slightly more) in a fraction of the pages. Miller’s art is a scruffy delight and though Ms. Varley is still missed Alex Sinclair’s coloring here works well.
As I alluded to earlier, the words on the
streets is this premiere is set to be DC’s bestselling comic in a decade which
shows that despite (or perhaps because of?!) how divisive Miller has become he
still holds a mighty cache in the comics world – as does Batman and the legacy
of this particular iteration. In that jolly celebration of legacy and
commerce DC has seen fit to give fans a plethora of collecting choices as this
issue ships with an absolutely fucking staggering 71 different covers! 71
fucking covers! Seventy-one! That means 1 standard cover and 70
variants! Incredible! Thankfully, I left the halcyon days of
obsessive collecting back in the past with other remnants of my misspent youth
and I was quite pleased with the standard Kubert cover (which is pictured at
the top). It’s a simple striking image in keeping with the history of
this series and though I have reservations on Miller’s characterization of
Batman I have always loved the beefy hulking appearance (and I’m very much
looking forward to seeing that look in Batman v Superman: Dawn of Cheez-Its next year!). With the
sheer number of covers and the fact that many are retailer exclusive variants –
meaning places may have to order 50 or 100 or more copies just to receive a
specific variant and which guarantees obscene prices for some of these – I do
not envy that collector minded fan who wishes to hunt down their favorites and
I especially don’t envy the psychotic and deranged lost soul that attempts to
collect em’ all! Though I would love to get my hands on the Kelley Jones
cover, and Darwyn Cooke too, oh and Gary Frank, fuck, Brian Bolland too, and most
definitely Bruce Timm, and Frank Miller’s own 1:100 variant is super gritty
wonky badassery!
Hmmm, so with all that above information what do I ultimately score this?! It was entertaining if nothing else but I wasn’t expecting something so…light?! Not light in tone but light as in a lacking substance. I hope to be proven wrong, especially because the art really is quite good but I have to give this a 6 out 10. If I ignored the backup feature and Kubert’s art it would be lower.
And yet I’m still excited for the second issue to come out! What the hell is wrong with me?!