My Saturday night was beyond loco a week or so ago thanks
to my plans to watch the Lifetime original movie Lizzie Borden Took an Axe. I
had been anticipating this movie for years for two chief reasons. One reason – though not the most sense
shatteringly powerful of the two – is my love of the macabre and general
interest in the Borden case. However
the second and by far most dominant reason is my absolute love of and devotion to
Christina Ricci. I love her
as an actress yet I am also in love with her. Some would say I’ve loved her since
the day I was born. I’m proud
to say this was the second weekend in a row where the centerpiece of my time
was a Lifetime original movie. This
fact really puts my life into perspective. The prior week’s film was the Heather
Graham, Ellen Berstyn vehicle Flowers in
the Attic. I realize
now Lifetime movies are rather cheap productions with appallingly ugly
photography that I cannot express through words because I am not a great writer
but it seems like some poor soul went overboard with soft lighting or decided
to brighten up the sets with a thousand collagen lamps or something like
that. Either way the movies
look almost as ugly as my bloated and disgusting face. Still, I loved every second of it. Billy Campbell also starred and gave great supporting
work and the courtroom drama aspect worked surprisingly well. I'm definitely purchasing it when it comes to digital video disc in April and I plan to watch it nightly. Ricci is my wife in a parallel universe where
I actually know what happiness feels like.
I am now going to talk about the Grammys since over a week
has passed and my thoughts are completely irrelevant. The Grammys went by in a blur of drunken rage
for me as I desperately poured gallons of alcohol in my body in an effort to
drown out my pathetic existence. Still,
I was sober enough to note once more my utter disconnect to most modern
music. Three point five
hours is entirely too long. How
I despise the Grammys, how I loathe it. Yet
every year I watch. I am
like a stupid, smelly dog rolling around in his own shit because he doesn’t
know any better. I am now
going to spill all my thoughts on this year’s show. I sometimes wish the thoughts and
words in my brain could manifest themselves in the physical form of puke
because I would love to vomit my thoughts all over the unsuspecting
masses!
Easily the most exciting part of the Grammy’s for me was
the COVERGIRL commercial featuring Sofia Vergara. This commercial begins with a shocking
and wonderful close up of her nylon and high-heel (with peep toe, oh god) clad
foot. How I wish she would
suffocate me with that foot after a hard day of acting while telling me what a
pathetic ugly loser I am with her thick accented voice. I must have rewound and watched that
clip roughly fifty-nine hundred times, erupting in ecstasy all over my
television and floor.
The new Liam Neeson movie looks like great trash which is
exactly what I want in my movies and women. Honestly, I would watch Liam Neeson
and Julianne Moore in anything. The
only downside here is the trailers and TV clips seem to give away far too much of
the storyline [unless the writer(s) have a lot of aces up their sleeves] and
this makes me put a frowny face right here L. Metallica was one of the best
performers and possibly my favorite but it could just be the intense relief I
felt to hear some actual genuine rock after the assaultive parade of generic or
awful R&B, rap and pop. I
was initially skeptical when I heard of the nature of this performance –
teaming with world renowned pianist (whom I did not know because I am a
tasteless hack) Lang Lang for a performance of their classic song “One”. Skeptical because those collaborations
slash mashups often do not work for me and specifically, their album S&M – a live album complete with
orchestral backup – has always sounded so chintzy, weak and not great at all to
my waxy ears. But this
performance killed my face. My
like of Beyonce is starting to dwindle with each trying-way-too-hard
performance. It also pains me to say I did not like her
haircut. I’m now bored with Grammys
talk.
Regarding more recent and popular televised events I was
one of the sports fans who watched the Superbowl yesterday. After managing to stay awake through
the entire thing I can only say that football is an incredibly boring sport
with a shocking amount of time spent simply letting the clock run down in between
plays that last a few painfully uninteresting seconds. How four 15 minute quarters can be
stretched into 4 seemingly endless hours is truly impressive. There is nothing like spending four
hours watching a group of large grown men toss a ball around a field.
What a jerk I’m being to the football fans of the
world. It’s probably
because my mommy didn’t give me enough love as a child. My mommy never wanted me. She wanted to kill me in the womb and
even tried with a pathetically failed drug overdose but no dice. Life clung to me like a disease. In fact, I think I’m changing my
mind as I peck out these blistering words. Truth be told, it was the most
enjoyable experience I ever had watching a game of ball foot. Perhaps with more time and a clearer
understanding of the sport my appreciation would only deepen. However the forty seven billion car
commercials did grow tiresome after a while. Out of the previews for coming
attractions the one which wet my cinematic appetite the most was probably Noah because Darren Aronofsky is always
an interesting director and I’m curious what – if any – sort of unique slant he
will give to the story. Every
other movie looked like absolute garbage; it was as though multiple studios
decided in unison to film big, splashy blockbuster versions of my life.
I recently watched the French movie Cache (only about 9 years late on that one) and I have not been
able to stop thinking about it for a single millisecond. The film and its implications haunt
me. It is true that it
borrows some things from David Lynch’s masterful Lost Highway (the director of Cache
– Michael Haneke – seems to know this given the protagonist’s name in his film)
yet I can forgive this because it is chiefly only a borrowing of the initial
conceit, a springboard if you will, though its subsequent narrative meat and
thematic gristle are a wholly unique flavor.
My life has become impossibly busy and full of massive
amounts of meaningless malarkey as of late. This makes me feel so miserable I have
been spending every free moment contemplating all the different and wonderful
ways I can end my pathetic, useless existence.
Of course, how could I end this blog post without providing
a single commentary on the recent Superman/Batman casting news of Jesse
Eisenberg playing Lex Luthor and Jeremy Irons playing Alfred Pennyworth? I would never leave my dear readers
bare-assed out in the cold like that without even a single can of Campbell’s
Chunky soup to keep them warm during these inordinately frigid months where we
are finally suffering the grim consequences of the awesome force of global
warming which of course stems from our flippant destruction of mother
earth. My dear friend
Calvin Black is probably the biggest Irons fan in the history of film and he
told me the news made him drive downtown, inject morphine into the corner of
his eye and bed 5 different strippers, each one dressed like a different
fighter from the Shaw Brothers kung-fu classic 5 Deadly Venoms. After
I told him what a richly appropriate reaction I thought this was, he and I
drank chardonnay on the balcony of my posh flat and as we looked out across the
river I began to yearn for the classic days where we worked together in a
barbershop quartet and made love like rabbits after watching the incomparable
nightly one-two punch of Wheel of Fortune
and Jeopardy (he always shouting out
in voz alto all the questions to answers involving ancient Chinese history) and
eating a healthy snack of pears, string cheese and red red wine (which always went
straight to my head). I too
share in his enthusiasm for the Irons casting (if not his eccentric taste in
drugs and women) and find it to be so spot on that discussion seems
redundant. It is a foregone
conclusion that Irons will be a slammin’ Alfred and this continues the rich history
with Batman on film of Alfred always being portrayed excellently by a real
actor’s actor.
That was not meant to disparage in any way because Michael Gough was a great Alfred and I love that commercial!
That only leaves Lex. Luthor. Lex Luthor. Arch fiend. My favorite comic book villain of all
time. For years now the
internet was bubbling like cheese pizza in the oven over who would be
portraying Superman’s arch nemesis in the Man
of Steel sequel. Names
as varied as Bryan Cranston, Mark Strong, Denzel Washington, Vin Diesel
(shudder) and even Tom Hanks were rumored. There was a particularly strong rumor
that Joaquin Phoenix had even signed on for the role. I cannot deny this rumor made me
squeal with girlish glee as I thought Phoenix a perfect choice for Luthor. So like many the casting of Eisenberg
smacked me across the face like a wet tuna. For an interminable amount of time I
did not know what to think, I did not know how to react. I simply sat slack-jawed in front of
my computer and read the press release over and over again as though I were
memorizing a monologue for a high school drama class taught by an elitist snob
who failed at acting and looked down upon the cinema as a nonviable artform,
only acknowledging the “theatah”.
And I conclude it is BRILLIANT casting. Well, perhaps brilliant is too strong
a word but it is fresh, vibrant and exciting casting. It will be great to finally see a
cinematic Superman and Luthor so close in age (both actors are in fact the same
age!) and judging by the little teasers and easter eggs tossed into Man of
Steel, I will finally see a cinematic Luthor more in line with the mythology of
the last few decades. The
old Superman films are beautiful but their time is over and I am ready for a
different type of Lex. I
don’t want to speculate too much with this character and I feel content to
trust in this creative team. However
I love that I can immediately picture an Eisenberg Lex in all sorts of
underground labs controlling and creating all kinds of sinister and terrible
things behind an immaculate sheen of heretofore perfect PR. The certainty
of Lex being here also makes Bruce Wayne’s/Batman’s part in the story perhaps
easier to discern but – as stated – I do not want to speculate too much. Do I dare hope to one day see this
iteration of Luthor wearing the purple and green garb or (gulp) possibly even
sporting a LexCorp Battlesuit? It
seems every time I open up my heart it only gets broken once more but I think
I’ll allow myself a little bit of hope, just enough to get me through the
lonely nights.
Metallica and U2 both have classic songs entitled “One”,
what are the odds?!
The U2 song is undoubtedly better.
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