Thursday, July 23, 2015

Jeriko One was the poet of the streets

In my ignorant discussion of the new 007 Spectre trailer during yesterday’s post I forgot to mention that I do quite like the footage shot during what appears to be Dia de los Muertos in Mexico City.  I’m guessing this is the opening and it should a gee-whiz slam bang humdinger of a scene!  It appears the lovely Mexican actress Stephanie Sigman is playing a character named Estrella (or Star for you White Angelo-Saxon Protestants).  She looks devastatingly beautiful in the promotional pictures and this heightens the anticipation for the superficial pig inside of me.  I first saw Sigman several years ago when I attended the premiere of Gerardo Naranjo’s excellent Miss Bala and I can say she is an actress of great talent and poise.  The name of her character also makes me think of recent Baila Si Puedes participant and Consejo Mundia de Lucha Libre luchadora Estrellita (swoon) who makes my eyes bulge, my heart pound violently and my mind burn with fantasies of being humiliatingly dominated through various wrestling holds while she mocks me mercilessly. 

As I alluded to last time I am not a big fan of the movie Skyfall though I do adore some things about it like Roger Deakins’s gorgeous cinematography, Adele’s instantly iconic theme song, Javier Bardem’s performance (if not necessarily his character) and certain charming scenes – such as the casino scene in Shanghai – which reference so well the many decades of rich Bond history amongst an overall dreary storyline without much payoff beyond a more promising follow-up.  But therein lays the rub as the inner city kids like to say.  It’s amazing how more contextualization and follow-ups can improve one’s feelings of the preceding work.  Storylines come to fruition and make more sense, character beats which once seemed random are now more acceptable and the simple fact that this formerly disappointing thing is no longer the final statement of the mythology makes it seem all the better.  A great recent example is I can now happily watch Terminator Salvation and view it as the underrated masterpiece it truly is!  Or can I?  The answers make shock you to the core. 

Another movie I’m looking forward to with great relish and sauerkraut is Crimson Peak directed by Guillermo Del Toro.  If it’s awesome maybe I’ll be able to watch Pacific Rim without weeping uncontrollably over my disappointment (another example of the phenomenon I just mentioned!).  Maybe I’m just disappointed that he never (to date) made Hellboy 3.  But that’s just yet another example of a wannabe hack like yours truly trying to force his selfish and asinine desires onto true artists. 

For several nights in row now I’ve watched Kathryn Bigelow’s 1995 feature film Strange Days starring Ralph Fiennes, Angela Bassett, Juliette Lewis, Michael Wincott (swoon) and Tom Sizemore.  For several weeks now I’ve also been watching David Lynch’s 1997 film Lost Highway at least twice on a nightly basis.  Those who know me best know I am a notoriously large (physically and metaphorically) Lynch fan and for countless years I’ve debated with myself over which is my favorite feature film of his.  Ultimately I feel I would pick Mulholland Drive but I’ll damned if Lost Highway isn’t perfect in just about every way.  Even its imperfections are perfect!  Such is the nature of wisdom.

I must admit, my fond feelings of Lost Highway may stem from my original memory of seeing it in an old dollar theatre back in that sweltering summer of 97’.  I was dating a Mexican waitress named Yolanda at the time though I affectionately called her Yolis.  We met one morning after I began frequenting Richard’s Diner which was a greasy spoon near the bridge as it approaches the southern district.  She would serve me damn good cups of piping hot coffee as well as plates of artery clogging bacon, undercooked eggs and flat cakes lathered in syrup and butter. 

Greater than Richard’s food however was the generousness of Yolis’s hips.  I used to order extra helpings of cholesterol laden food and scalding bitter coffee just so I could catch her radiant smile and the oceanic sway of her mammoth buttocks which were always crammed deliciously into a pair of stretched-to-the-max black pants (with white pin stripes which had the appearance of latitude lines on a hemisphere as they rounded her gargantuan rump).  When she spoke her accent was thick and captivating and she would frequently laugh at my terrible jokes and place a loving hand on my shoulder.  It was not long before I was completely under her spell and we began a courtship. 

To my delight I found that on the days she was not wearing the pants she opted instead for a classy black skirt which clung ever lovingly to her massive derriere as well as black reinforced heel-and-toe pantyhose with simple black leather high heels.  At the end of a long day catering to the slobbering masses she would return to her small but elegantly decorated apartment and find me eagerly waiting like a dog.  She would promptly demand a foot massage and order me on my knees while she relaxed in a posh chair she’d purchased years ago from a now retired craftsman.  

She would slowly remove her leather high heels, letting one teeter in a rather precarious and exciting fashion at the end of her pantyhose clad toes before it fell to the floor with an audible thud.  In between moments of my loving massage she would use my face as her personal footrest while laughing and berating me, telling me in Spanish how pathetic and useless I was.  The combination of the greasy fumes of Richard’s Diner combined with the natural pheromones ever present in the sweat and oils of her wonderful feet and those two rich ingredients mixed with the denier and material composition of the hosiery resulted in a glorious aromatic delight; perfume of the gods and it made my body run hot with desire as it destroyed my mind and shattered my senses.  I was a willing slave. 

Subsequent to the massage we would engage in several dominant practices for her relaxation and my degradation.  It was often difficult for me to respond during these as many times I could scarcely breathe due to the glorious pressure being applied to my chest, neck and face.  Instead I would listen intently while she would regale me with sordid tales from her previous life in Mexico as well as her aspirations for the future.  It was specifically during these times she recounted to me her great love of German director Wim Wenders as well as her love for Lynch – specifically the films Eraserhead, Blue Velvet and Wild at Heart.  When we saw the trailer for Lost Highway we knew we could not survive without viewing it on the big screen. 

Sitting in a the steamy theatre with Yolis and viewing Lynch’s surreal masterpiece in a lovely 35mm print is one of my fondest memories.  The film would forever haunt and enthrall us and I know we’ve both watched it countless times since then on VHS and then digital video disc.  We walked the town afterward and went for alcoholic drinks, discussing the film, the nature of reality and what it truly means to be human.  She’d worn fishnet stockings and eventually used them to gag me while subjecting me to all manner of sweet humiliating punishment.  I cry simply thinking about these wonderful times.  Yolis eventually returned to Mexico as that was where her heart truly resided though we have remained close friends since and frequently engage in telephonic and computer based communication. 

I recently purchased martial arts master Donnie Yen’s latest film Kung Fu Killer and put it on the ol’ blu ray player while eating some leftover sushi and drinking a bottle of mineral water.  I fell asleep soon after but it was not the movie’s fault as it seemed quite interesting.  I was simply very tired.  Being a miserable failure really takes it out of a guy. 

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